Everyday Anarchy – The Complete Book from Freedomain Radio – YouTube

Freedomain Radio is the largest and most popular philosophy show on the web – http://www.freedomainradio.com

Everyday Anarchy

by Stefan Molyneux from Freedomain Radio, at freedomainradio.com

INTRODUCTION

It’s hard to know whether a word can ever be rehabilitated — or whether the attempt should even be made.

Words are weapons, and can be used like any tools, for good or ill. We are all aware of the clichéd uses of such terms as “terrorists” versus “freedom fighter” etc. An atheist can be called an “unbeliever”; a theist can be called “superstitious.” A man of conviction can be called an “extremist”; a man of moderation “cowardly.” A free spirit can be called a libertine or a hedonist; a cautious introvert can be labeled a stodgy prude.

Words are also weapons of judgment — primarily moral judgment. We can say that a man can be “freed” of sin if he accepts Jesus; we can also say that he can be “freed” of irrationality if he does not. A patriot will say that a soldier “serves” his country; others may take him to task for his blind obedience. Acts considered “murderous” in peacetime are hailed as “noble” in war, and so on.

Some words can never be rehabilitated — and neither should they be. Nazi, evil, incest, abuse, rape, murder — these are all words which describe the blackest impulses of the human soul, and can never be turned to a good end. Edmund may say in King Lear, “Evil, be thou my good!” but we know that he is not speaking paradoxically; he is merely saying “that which others call evil — my self-interest — is good for me.”

The word “anarchy” may be almost beyond redemption — any attempt to find goodness in it could well be utterly futile — or worse; the philosophical equivalent of the clichéd scene in hospital dramas where the surgeon blindly refuses to give up on a clearly dead patient.

Perhaps I’m engaged in just such a fool’s quest in this little book. Perhaps the word “anarchy” has been so abused throughout its long history, so thrown into the pit of incontestable human iniquity that it can never be untangled from the evils that supposedly surround it.

What images spring to mind when you hear the word “anarchy”? Surely it evokes mad riots of violence and lawlessness — a post-apocalyptic Darwinian free-for-all where the strong and evil dominate the meek and reasonable. Or perhaps you view it as a mad political agenda, a thin ideological cover for murderous desires and cravings for assassinations, where wild-eyed, mustachioed men with thick hair and thicker accents roll cartoon bombs under the ornate carriages of slowly-waving monarchs. Or perhaps you view “anarchy” as more of a philosophical specter; the haunted and angry mutterings of over-caffeinated and seemingly-eternal grad students; a nihilistic surrender to all that is seductive and evil in human nature, a hurling off the cliff of self-restraint, and a savage plunge into the mad magic of the moment, without rules, without plans, without a future…

If your teenage son were to come home to you one sunny afternoon and tell you that he had become an anarchist, you would likely feel a strong urge to check his bag for black hair dye, fresh nose rings, clumpy mascara and dirty needles. His announcement would very likely cause a certain trapdoor to open under your heart, where you may fear that it might fall forever. The heavy syllables of words like “intervention,” “medication,” “boot camp,” and “intensive therapy” would probably accompany the thudding of your quickened pulse.

All this may well be true, of course — I may be thumping the chest of a broken patient long since destined for the morgue, but certain… insights, you could say, or perhaps correlations, continue to trouble me immensely, and I cannot shake the fear that it is not anarchy that lies on the table, clinging to life — but rather, the truth.

I will take a paragraph or two to try and communicate what troubles me so much about the possible injustice of throwing the word “anarchy” into the pit of evil — if I have not convinced you by the end of the next page that something very unjust may be afoot, then I will have to continue my task of resurrection with others, because I do not for a moment imagine that I would ever convince you to call something good that is in fact evil.

And neither would I want to…

How ‘The Hidden Brain’ Does The Thinking For Us : NPR

After making a silly mistake, it’s not uncommon for a person to say, “Oops — I was on autopilot.” In his new book, The Hidden Brain, science writer Shankar Vedantam explains how there’s actually a lot of truth to that.

Our brains have two modes, he tells NPR’s Steve Inkseep — conscious and unconscious, pilot and autopilot — and we are constantly switching back and forth between the two.

“The problem arises when we [switch] without our awareness,” Vedantam says, “and the autopilot ends up flying the plane, when we should be flying the plane.”

Listen or read here:

How ‘The Hidden Brain’ Does The Thinking For Us : NPR.

4 Yrs at Private College = $130,468; Median-Priced Existing Home = $173,100; U.S. Debt Per American Under 18 = $218,676 | CNSNews.com

(CNSNews.com) – If Americans under the age of 18 were required as a group to pay off the entirety of the federal government’s debt in equal shares, each would now need to pay about $218,676.

via 4 Yrs at Private College = $130,468; Median-Priced Existing Home = $173,100; U.S. Debt Per American Under 18 = $218,676 | CNSNews.com.

Property rights vs. human rights – YouTube

In this edition of the show Max interviews Danny Schechter from newsdissector.net. He talks about the governments’ failure to protect their citizens against financial criminals. Danny Schechter is a television producer, independent filmmaker, blogger, and media critic who writes and lectures frequently about the media in the United States and worldwide.

Video: Ghosts of Machu Picchu | Watch NOVA Online | PBS Video

Video: Ghosts of Machu Picchu | Watch NOVA Online | PBS Video.

Program Description

Perched atop a mountain crest, mysteriously abandoned more than four centuries ago, Machu Picchu is the most famous archeological ruin in the Western Hemisphere and an iconic symbol of the power and engineering prowess of the Inca. In the years since Machu Picchu was discovered by Hiram Bingham in 1911, there have been countless theories about this “Lost City of the Incas,” yet it remains an enigma. Why did the Incas build it on such an inaccessible site? Who lived among its stone buildings, farmed its emerald green terraces, and drank from its sophisticated aqueduct system? NOVA joins a new generation of archaeologists as they probe areas of Machu Picchu that haven’t been touched since the time of the Incas. See what they discover when they unearth burials of the people who built the sacred site.

Good Night, And Good Luck (Movie, 2005) – YouTube

Good Night, And Good Luck (Movie, 2005) – YouTube.

In September 2005, Clooney explained his interest in the story to an audience at the New York Film Festival: “I thought it was a good time to raise the idea of using fear to stifle political debate.” Having majored in journalism in college, Clooney was well-versed in the subject matter. His father, Nick Clooney, was a television journalist for many years, appearing as an anchorman in Cincinnati, Ohio, and Buffalo, New York. The elder Clooney also ran for congress in 2004.

George Clooney was paid $1 each for writing, directing, and acting in Good Night, and Good Luck, which cost $7.5 million to make. Due to an injury he received on the set of Syriana a few months earlier, Clooney couldn’t pass the tests to be insured. He then proposed to mortgage his own house in order to make the film. Dallas Mavericks owner Mark Cuban and former eBay president Jeff Skoll invested money in the project as executive producers.

Clooney and producer Grant Heslov decided to use only archival footage of Joseph McCarthy in his depiction. As all of that footage was black-and-white, that determined the color scheme of the film.

A small jazz combo starring jazz singer Dianne Reeves was hired to record the soundtrack to the movie. This combo (Peter Martin, Christoph Luty, Jeff Hamilton and Matt Catingub) was featured in the movie in several scenes; for example, in one scene the newsmen pass a studio where she is recording with the rest of the band. The CD is Dianne Reeves’s second featuring jazz standards, and it won the Grammy Award in 2005 for best jazz vocal performance.

One complaint about the movie among test audiences was their belief that the actor playing McCarthy was too over the top, not realizing that the film used actual archive footage of McCarthy himself.

Wikipedia/Good Night, Good Luck

Get a Liberal Arts Education for Free on the Internet

Just getting a job in this economy is difficult enough. Getting one with a liberal arts degree is simply masochistic. Don’t spend half a decade and thousands of dollars only to join the rest of the English majors busking in a subway. Instead, educate yourself with these valuable, respectable, and totally free online resources.*

via Get a Liberal Arts Education for Free on the Internet.

Radical Sincerity: Cheryl Strayed at TEDxConcordiaUPortland – YouTube

The writing of award-winning author Cheryl Strayed has been described as courageous, gritty, elegant, precise, smart, funny, and sublime. She’s a writer of both fiction and non-fiction, having written the critically acclaimed novel Torch, as well as articles for The New York Times Magazine, The Washington Post Magazine, Allure, Self, and many others. Most recently, however, she’s been in the spotlight for her upcoming memoir, Wild, which is about her 1,100 mile solo journey along the Pacific Crest Trail. She walked the trail seeking forgiveness and hoping to find her “innocent self” again, yet what began as an “idea, vague and outlandish and full of promise,” became something much greater. Through this journey, she found transcendence, hope, and healing. She confronted the wild and she confronted herself, ultimately finding the extraordinary in those things that we so often take for granted. Cheryl currently lives in Portland, Oregon where even indoors she continues to find meaning. Like her mother before her, she seems to “bring magic into every day.” For instance, when we asked her what she believes is the most extraordinary place in the world, she had this to say: “My bed at six-thirty in the morning, after my two children have crammed themselves in beside me and my husband and our cat, Gulla. Because real, live, wild love is there. And what’s more extraordinary than that?” Wild comes out in March 2012, and beyond that Cheryl plans to continue growing as an artist. Her hope is that her next book “always reaches further, dives deeper, and risks bolder than the one that came before it.”

http://www.cherylstrayed.com/